>>COSMO'S RUSSIAN DIARY - WEEK 6



DAY 36- Friday, November 1, 2002

DAY OFF IN ODESSA, UKRAINE – OДЕCCA, УКPAИHA


I slept like a rock. I woke up at 8:30, but still wanted to sleep. I have a problem of waking up too early and then I start to think, like what I want to do today, what I need to do, so on and so forth, and I eventually just get up, even though I am still tired.

I was starving, so I packed my suitcase, minus the few things I would need for today and tomorrow and headed downstairs. I ran into Peter on the way. I dropped my suitcase off, and joined Peter for breakfast, it was delicious.

I went back to the room and started working on the diary. I hadn't been online in several days and haven't updated the Website for quite some time. Since I couldn't go online in my room, I figured I would do all the work there, and then head down to the Business Center and go online there.

Robbie called and said that there had been a change with the luggage, they had now arranged a small cargo plane, so we could pick up our luggage and bring it back to our room. So, I headed downstairs and got my suitcase.

No sooner had I gotten back to my room, I got another call from Robbie saying that the cargo plane was scheduled to leave today and we needed to bring our luggage back. MAN! So, back downstairs with my suitcase. Back to my room, I awaited another call, but fortunately, it never came.

We met for lunch at 2 PM, but the bus was late, so we had to wait for another 30 minutes. James and I walked around the harbor. By the time we got to the restaurant, it was already 4 PM, a little late for lunch, so we all decided to make dinner out of it.

We went back to the same restaurant as before, "Meat & Wine," we were very happy, as the food was excellent.

After lunch/dinner, we decided to take and hour and walk around the city center, sightsee, shop and enjoy the ambience. I found a toy store and bought another model. Andreas and I walked around a bit and headed back to the restaurant to meet up with everybody else. It was just getting dark and Robbie and I found a market in the square that was selling Russian dolls, paintings and other crafts. It was closing and we were very disappointed, but we decided we would go in the morning before the flight.

There was this club in town called "Cosmo," I had to finally take a photo of all the posters.

We all boarded the bus again and went back to the hotel. I called Olya and she said she would meet me at 10 PM or so.

I took my computer down to the Business Center and spent 3 hours updating the Website, checking my emails and just catching up in general.

I went back to my room, dropped off my computer and went to the 3rd floor bar. As I walked in, Olya came around the corner- perfect timing. Several of the guys were at the bar, we all had a beer and decdied to go to the 19th floor bar, as it had much better ambience.

We had a blast. Once again, no gig talk, just beer, vodka and fun. I hadn't had caviar served the proper way since I had been here, I mean with the silver cup, toast points, onions, eggs and butter, and they had it here. It was expensive, about $35.00, but the same serving in the states would have been at least $150.00. All of us ate some caviar, and toasted Odessa with a shot of the best vodka. It was a great night. It was also the last time I would see Olya, so I wanted to spend as much time with her as possible.

I must say that this trip to Odessa was fantastic, a great hotel on the Black Sea, good food, a wonderful city, and best of all for me, the sweet conversation and company of Olya. It had been a fun-filled 3 days, I hated to leave. Odessa was definitely the pearl of this trip. I will have fond memories here…

It was with sweet sorrow that I said goodbye to Olya, I looked into her big brown eyes and we promised ourselves that we would see each other again.

I can't wait…




DAY 37- Saturday, November 2, 2002

FLY TO MINSK, BELARUS – MИНCК, БEЛAPУCЬ


I got up around 8:30, showered and headed downstairs for breakfast. Robbie and Peter were already there. The breakfasts here have been great and today was no exception.

Next to the hotel, a Royal Navy ship, the HMS Southampton was docking. It was a destroyer. They docked and it looked like they we readying the ship for an open house.

We had arranged a bus to take several of us back to the square where the market was at 10 AM. The bus was there, Dascha, our interpreter was there as well, to accompany us. Robbie, Peter, Achim and myself were the only ones going, so we headed off for the short trip to the city center.

The bus parked a 5-minute walk from the square; it was a beautiful day as we strolled through the park. Artisans were setting up their wares as we arrived, displaying items such as paintings, Russian dolls, military medals and pins and other arts & crafts. A kid about 9 years old came over to us and tried to hawk some money from us, saying, "Give me moe-ney!" in a heavy Russian accent. Well, he's learning. Dascha shooed him away and we went on with our shopping excursion.

I bought a few Russian dolls, as did the others. I also bought a painting of the city, I collect paintings from every city that I go to and have them all hanging in my home. The painter was a lady, probably 60 years old, who, she told us, has little work, so she started painting to supplement her income. Some of the work was beautiful; Achim also bought a painting from her.

Peter, meanwhile, had found another lady painting Russian dolls, and he asked her if he could buy any blanks, so he could paint his own. She said she had some at home and would run back to get them. I can only imagine what Peter has in mind. A Scorpions doll perhaps? Time will tell.

She got back with several blanks, all of which Peter purchased. Then she started showing us her dolls, the ones she paints. They were all stories, family stories, and it was so interesting watching her make a story using the dolls. It was old-fashioned storytelling, in the Ukrainian style. We really enjoyed this, and I think she did as well.

Time was catching up with us and we had to get back to the hotel to leave for the airport. We bid adieu to the artisans and boarded the bus for the quick journey back.

I went upstairs and packed my stuff up, and made one last call to Olya to say goodbye. I headed downstairs and we were on our way to the airport. The trip was much shorter this time, as there was hardly any traffic- no President of Moldavia, plus it was Saturday.

We arrived at the airport, quickly went through security, boarded the bus and went out to the jet. Along the way, I tried to take some photos of all the planes sitting on the ground, but some security guy in a camouflage army outfit said "Nyet." Why? Were there some Ukrainian secrets here that he didn't want me to take back to the American authorities? Maybe he didn't want me to have proof that the Ukrainian Air Force still flies biplanes!

We arrived at the jet within minutes. We got onto the plane and waited. I went out onto the tarmac to take some photos. Unfortunately, the army guy was still there, but our pilot wanted to take a photo with me next to our plane, which we did. I asked him if I could take some shots of the other airplanes, he agreed. The army guy said nothing, but did give me a dirty look. Ha!

I took several photos and got back on the plane. And waited. I went to the cockpit and took photos. And waited. Finally, the band showed up and took their seats. Our pilot cranked up the engines and we were on our way.

This trip was about 2 hours long. I settled in for the long flight. We were served the same thing we had on the previous flight. It was probably exactly the same thing. I went and sat next to Robbie and Peter, we discussed the US tour.

We arrived in Minsk at the city airport, which was great as it would be a short ride to the hotel. We jumped into a bus and arrived at the hotel within 10 minutes.

I have been here a couple of times before and stayed in the same hotel. This time, however, we were in another hotel. It looked okay from the lobby, but once I got to my room- Old Soviet style. I was livid. Here we were in Minsk, a city with over a million citizens, but they didn't have a decent hotel. My room simply sucked. My bed was miniature; it was too small for a child. There was no shower or tub, just a shower nozzle and a curtain. You could actually sit on the toilet and take a shower at the same time. While that might be fun for some, it wasn't for me. Even the phone was old, with a rotary dial. Incredible.

I went back down to reception to inquire about another room. After a bit of foot stomping and a great deal of help from Fieldmarshall Gehrke, I got another room. This one, while a bit old and small, would suffice. At least the bed was of a size that I could fit my large frame into.

We met for dinner at 8 PM in the hotel bar, "Sabrina." We had a couple of beers; I ordered caviar, borscht and sturgeon shashlik (shish kabob); it was all quite good.

We left for the venue at 9:30, as this was a brand new lighting and sound company. I had received a lighting plot from them several weeks ago, this gig promised to be one to remember. And boy, was it. We arrived at this theater, a state theater, very strict, especially since the siege at the theater in Moscow. They wouldn't even let our bus into the parking lot, so we got out on the street and headed into the building.

We had to go through some security checkpoint. We got into an elevator and went up one floor. We were shown to the stage. It was huge. This was an immaculate looking theater; obviously a lot of money has been spent on this palace. The lighting system alone must have cost several million dollars.

Unfortunately, the fire curtain was down, so we were unable to see into the seated area. We weren't sure where the stage ended, and our interpreter said no one was available to open it for us. No one was available to do anything, so we were told.

Now, let's get to my lighting system. First of all, the lighting trusses were in a similar configuration to the plot I had received from them. That is where the similarity ended. Now, there were only half the amount of lights that were promised. Not to mention that the trusses were so far apart, that the stage depth, which is normally about 35 feet, was now about 80 feet! There was no lighting crew there to talk to. Robbie demanded that the crew had to come there. We waited, and finally the crew showed up. They told us that this is what the plot said. We asked to see it, they said that didn't have it, which was a lie, how did they know how to put up the existing rig? Robbie went back to the hotel to get the plot, I went and sat down with our interpreter and the lighting crew chief to see what alternatives we had.

He said that we had all the lights in Minsk, and that they could not get anymore. I asked about different types of light, he said what was already there is everything they had. I asked him why they had agreed to the plot if they could not supply the gear? He answered that he didn't know. Great.

I went back to the stage. They had already locked the door. He said he would get the key. I waited 25 minutes. The theater guy came back and said that it was impossible. I said that my jacket was in there and that I was not leaving without it. He walked me around to the side of the stage where and army guy opened the door, took a flashlight, guided me to the stage where I got my jacket and left. I was furious at this turn of events.

Robbie returned with the lighting plot, gave it to the lighting crew chief and said, "This is what we want. Supply it or there will be no show tomorrow." We left for the hotel.

It was already midnight. We agreed to meet at 7:30 for breakfast. I went to my room and got ready for bed. How could thing go downhill so rapidly? I reminded myself- this was Belarus, formerly part of the Soviet Union.




DAY 38- Sunday, November 3, 2002

SHOW IN MINSK, BELARUS – MИНCК, БEЛAPУCЬ


I got up at 7 am, when my alarm went off. I took a shower and met Robbie for breakfast. Robbie was already annoyed, as they were giving him a hard time, it seems that we needed a breakfast voucher, but couldn't manage to get their point across in Russian. I went downstairs and got a voucher.

We left for the gig at 8 AM. We arrived, nothing had happened, the story hadn't changed. They said that this was all the lights that were available. Robbie said fine, let's go. We put on our jackets, picked up our bags and started to walk out of the building. Suddenly, the lighting crew chief, followed by the interpreter appeared and told us that they found some more lights. Yeah, they just found them. A few minutes later, a guy named Vladimir showed up, it seems that he was with another lighting company. He said that all the lights we requested would be here soon. I reminded him that they were the ones who promised the lights in the first place.

They started to bring lights up from somewhere else, where, I do not know, but it seemed that they were already in the theater. They didn't match the other lights, these were very shiny and new. I find that there is a lot of lying over here, and I am not always sure of the reason.

They also lowered all of the trusses and moved them to the positions that I chose. Things seemed to be getting better quickly. The rest of the crew came in and saw that it would be a while before they could get to their gear. Shortly thereafter, we headed upstairs to the cantina for lunch. It was awful. The prerequisite salads, some broth for soup and then the piece de resistance, some unrecognizable plate of food. We were suddenly back in Russia. Nobody ate it. It was horrible. I went back down to oversee all the lighting changes. We decided to order from McDonald's.

Everything that was going so well with the lighting slowed down. The trusses hung low on the stage for eons. They were having problems, they said. A few minutes, they said. An hour later, nothing had changed.

One of the worst thing about this situation was that we were filming the show tonight. Murphy's Law. I would never have the show up and running for a good film. I cannot begin to tell you how frustrating this was.

The film crew was there, setting up the dolly track, setting up the camera boom. They looked like a bunch of scientists in their lab coats putting all this stuff together.

It was nearing 5 PM already. I thought I needed to look at my console, maybe start some programming. I asked to see my console. A house guy took Lars and I to the lighting booth. We went to the elevator, down one floor, down a corridor, around the corner, into a room, through another hallway, into what looked like a foyer, into a restaurant/bar, up one flight of stairs, into an elevator, up one floor, down one flight of stairs (yes, I know) through another corridor and finally into the lighting booth. We looked at Lars' console, it was fine; he took me to mine- it was a Strand Theater Lighting console, made for theatrical shows! It had 4 faders, and was made for doing Broadway shows, not Rock & Roll shows. I immediately asked our guide to take me back to the stage, as there was no way I was going to find my way back through that maze.

I got to the stage and informed Vladimir that the console was completely unacceptable. He just shrugged his shoulders. I was incredulous. I went to Robbie and informed him of my latest predicament. Again, Robbie threatened to pull the show, and that action was warranted because there is no way I could do a show without a proper desk.

Throughout all this craziness, Robbie stayed in contact with Fieldmarshall Gehrke, as he is the direct link to the band.

Amazingly, they found a lighting desk I could use. As a matter of fact, it was already in the theater. Once again, we had been lied to, for what reason, I do not know.

Tania, our interpreter, said that she thought that the reason for these lies is that many of the people just don't want to put forth the effort. That made a lot of sense, especially since if you consider the way communism worked- let's take a factory in the old Soviet Union, say that makes widgets. Each factory worker is expected to produce 10 widgets per day, that is the common quota. Say a new person comes to work, a real go-getter. On his first day, he produces 15 widgets. The supervisors are astounded. They are pleased. They look at his technique and realize that anybody can produce 15 widgets per day. So, suddenly, everybody has to produce 15 widgets per day in order to meet quota. And to keep their job. All because of this new go-getter factory worker. Now everybody hates him. They all have to work harder because of some new guy. And they make the same money. My point here is that in a communist world, people learn that ambition usually gets you in hot water with the other employees, and it makes sense to do as little as it takes to complete your task.

Anyway, my new desk finally appeared and they started setting it up. I was still waiting for the trusses to go up so I could focus. McDonald's finally arrived, but none of us were told, and I didn't have time to eat anyway.

Finally, my trusses started to go up in the air. Vladimir asked if I wanted to focus from the ground. I stated that I needed the lights focused after the truss was at trim. There was a large, gasoline-powered manlift in the theater, I asked about using it, they said it was impossible. Of course. Again they would have to bring the trusses down, climb on, take them back up and focus; come down and do the same on the next 3 trusses.

Well, I wish it would've been that easy- they refused to climb on to the trusses, claiming they were scared. Plus, they said, they had a special technique for focusing from the ground. What a joke! It was at this point I finally lost it, spewing out a string of expletives and storming off the stage. It never ends, and I had finally reached my limit. I went into the Production Office to cool down.

Robbie came in, calmed me down and we went back to the stage. After going back and forth for an eternity, I finally just gave in and let them focus from the floor. This process took a while, as I had them bring the trusses up and down several times until I felt comfortable with the focus. It was insane, but we had to get the show going, as it was already 9 PM.

They couldn't even start the drum riser until my lights were high enough. Finally, they started building it and here we went again with another unacceptable drum riser.

This was the Final of the Queen of Rock, all the winners in most of the previous cities were here to find out who was Number One. It was during this event that I managed to program my show. My programmer was from the theater, and knew everything about the desk. He was to help me program. Unfortunately, this guy simply smelled, he stank. And to make matters worse, Lars and I were wedged in-between this guy and other lighting crew and we were forced to sit as we were in the theater seats and the general audience was seated all around us. Very uncomfortable to say the least.

The Queen of Rock was chosen by a panel of judges, as opposed to the usual audience volume, and the winner, believe it or not, was the girl that I had picked to win in Volgograd.

The band finally went on, it, for me, was a horrible show. Lars as well. And to make matters worse, this guy sitting next to me was making me nauseous. I could identify each odor, sweat, piss, feet, and worst of all, the result of the fact that none of the bathrooms have toilet paper over here. I will not elaborate beyond that.

The show dragged on, however, the only saving grace was, once again, Wind of Change, when the audience was just ecstatic.

After the show, I went backstage, collected my belongings and was going to leave immediately. However, I spotted the phone in the Production Office and felt like calling a couple of friends in the states to help make me feel better. After the calls, I left, I walked back to the hotel, about 20 minutes.

As I left the theater, it was snowing. The flakes felt good against my face. On previous visits, I had made this walk along the main street from the city center to the hotel. The walk brought back nice memories. It was very therapeutic, the memories, the isolation, the dark night and the snow.

I arrived back at the hotel, we were to go to some disco where the band was eating dinner, join them and have dinner ourselves. I had only eaten breakfast so far, and that was 17 hours ago.

I went to my room, dropped off my stuff and went back down to the lobby. Achim and Andreas were there; we waited for Robbie and Peter to get back from the venue.

Once they arrived, we loaded up on the bus and headed to the disco, 5 minutes away. We went in and it was mobbed. The band were on a stage next to the dance floor taking photos with the Queen of Rock contestants. We sat, ordered beers and vodka and read the menu. I ordered some caviar and an appetizer of shrimp. I hate eating too much this late. Everybody else ordered, some caviar and also spaghetti. My vodka arrived, we toasted the fact that we had made it through the day. Our beers arrived, and Robbie disappeared. He returned, livid and said that he was leaving. It seems that the promoter had refused to pay for our caviar (which, by the way, was only 10 buck and 3 of us had ordered it) and also said that we were only allowed to order certain things from the menu. We were all livid. After this horrendous day, caused by the promoter and his lying cronies, after the Scorpions crew pulled this thing together so we could actually do a show despite serious problems, he had the audacity to dictate what we had to eat for dinner, after NONE of us had eaten all day! Livid was an understatement. We all got up and walked out of the club, but not before Robbie went over to the promoter and had a few choice words with him.

We made our way to the bus, and Fieldmarshall Gehrke came running after us wanting to know what happened. Robbie explained, and Fieldmarshall Gehrke, wanting to do something to help, but he was at a loss, because we refused to go back in the club and be in the company of the likes of such a creep as that promoter.

Disheartened, after such a horrible day, and it being Sunday night, McDonald's was closed, so we went back to the hotel.

I was starving, and remembered that I had one of those ramen noodle dishes left, but I had no kettle to boil water in. Finally, I just got the tap water as hot as possible and made soup with that. It was horrible, the noodles stayed crispy, but I ate most of it anyway. I cursed the promoter and got in bed. It was nearly 3 AM, another long and horrible day. I looked forward to tomorrow and getting out of Belarus.




DAY 39- Monday, November 4, 2002

TRAVEL TO VILNIUS, LITHUANIA


I awoke at 9 AM. Great sleep. Still a bit tired, but good sleep nonetheless. I felt a lot better than yesterday. I looked out over the city, it was cold but not snowing. Our bus to Vilnius was supposed to leave at 12:30. I went down for breakfast, I ordered eggs, and they were undercooked as usual. I drank coffee and ate some toast. I bought some postcards and went back to my room.

We met downstairs around noon. This was the last time we were to see Valentin, he was going home. It was also the last time we would see Ulia and Sergei.

Cliff, from ROL, brought back some caviar from Moscow for me, but I had not yet gotten it from him. I was unable to reach him, and finally gave up, and left a note in his mailbox to give it to one of the bands' entourage.

I mailed my postcards, checked out and had my passport returned. We put our luggage on the bus, said our goodbyes to Ulia and Sergei. We got on the bus and I realized I had not said goodbye to Valentin! Nobody said goodbye, so we all piled off the bus and ran inside. We were all like a bunch of kids saying goodbye to our favorite teacher. He had been wonderful during this tour, a beacon of sense and calmness throughout the worst times. We hated to see him go. We all hugged him, said goodbye and made our way back to the bus, Ulia was tearing up, and we would all miss her as well.

Just as we were getting ready to pull away, Cliff ran out with a plastic bag- he had brought my caviar. I thanked him, we all thanked him. Happily, we were going to see him again in Warsaw.

We left Minsk, to the cheers of the crew, and started our 3-hour journey to civilization.

The roads were horrible, as usual. We got to the Lithuanian border, no problems on the Belarus side, no problems on the Lithuanian side. Virgis met us as we got into Vilnius, and guided the bus to the hotel.

We pulled into the city center of Vilnius, we felt as if we had entered into Wonderland. It looked like Europe. Everything was clean. Buildings were in good repair, everything was painted, shined and pretty. We got off the bus and checked into the Radisson. It was beautiful. The rooms were new and clean. The water didn't smell. The curtains covered the window. I was in heaven. And better yet, the hotel had an Internet connection!

We met in the lobby at 6 for dinner. We were all starved, of course. Virgis led us out and on a nice walk in this beautiful city. We went to this restaurant called "Cili's" (Chili's). It was a pizzeria of sorts. Real food! We all ordered, first beers, then I had a freshly-made salad, a bowl of- chili- yes chili, and a pizza. It was scrumptious. We were all laughing and smiling. It was amazing to travel less than a hundred miles and be in this bliss.

We finished dinner and strolled back to the hotel. I spent the rest of the evening on the Internet, updating the diary, emailing and just surfing. I crawled into my bed at midnight and slipped into a coma.




DAY 40- Tuesday, November 5, 2002

SHOW IN VILNIUS, LITHUANIA


I dreamed, and dreamed, like I haven't dreamed in weeks. I slept wonderfully, in this wonderfully comfortable bed, in this wonderfully comfortable hotel in wonderful European-like Lithuania.

I got up, logged on, checked my emails and got into the shower. I met Robbie, Peter, Ingo and Andreas downstairs for breakfast. It was wonderful as well.

We had to check out this morning, as we were traveling by bus overnight to Riga. I went back to my room, got my stuff, and checked out.

Before we left, Francis and I took a couple of photos in front of a church across the street from the hotel. After that, we headed to the venue.

I had been to this venue previously with the Scorpions, and while it was old, it was kept up, and clean. We went inside, the stage was perfect, the lights and sound were up, and even the drum riser was the right size and shape and in the right spot. What a change from Minsk. A 180-degree change.

The lighting and sound was from the same company we had in Kharkov, Dnepropetrovsk and Odessa, that's why it was perfect.

I leveled my trusses. The only bad thing that had happened was all my programming on my desk had been wiped. No big deal, I would have the time today to re-write the show.

The backline crew set up everything, Lars and I hung the backdrop and sign. I prefocused the trusses before sending them up. I started focus by 1 PM. It was a wonderful day, back in civilization. I was focused and programmed by 5 PM. Amazing.

I made several calls to the states concerning the US tour. Robbie, Peter and I spoke about some ideas we had. It was a real day of getting work accomplished, instead of the usual damage control we had to deal with over the past several shows.

For lunch, we had food from the same restaurant we ate at last night. Pizzas. They were great.

The band came in for soundcheck, they were astounded that it was such a calm atmosphere, unlike the usual chaos that was going on. The show as at 8 PM tonight, no Queen of Rock, just the Scorpions. It was wonderful. I did kinda miss the girls, though. They were really nice to look at!

It was a full house, and the band delayed the show a bit to allow everybody time to get into their seats.

Right before the show, Robbie came out and said he had a bit of bad news- the gig tomorrow in Riga had a small ground support system, in other words, we could not hang the whole lighting show in there, so I would have to change the lighting plot around to make it fit. Oh, well, I would worry about it after the show.

I went out to my mix position. There was kid and his father standing near my riser, and the kid asked, in English, if he could stand up on my riser. I asked him his name- he said, "Luke." I asked him how old he was- he said, "Ten years old." I said, yes, he could stand next to me. I asked him about his father, his father didn't speak any English, but he declined, he was happy to stand on the floor as long as his son could see. I asked Luke if he liked the Scorpions, he said yes, but he did not know all their songs. He said that he was a drummer and loved heavy metal. He seemed like a cool kid. And he had cool dad for bringing him to the show.

The band went on about 8:30. It was a great show. Everything worked as it should. The audience was on their feet the entire night. The lighting rig was perfect. The sound was phenomenal. The band rocked. We needed a show like this.

I took Luke backstage after the show to meet the band. He was impressed. The band treated him great. They signed autographs, and Matthias told him that he could be anything he wanted to be, whether it was a drummer, or the President of Lithuania. Matthias said he should learn piano. The kid was in heaven. He thanked me, and he headed home. It will be interesting to see what happens to little Luke from Lithuania. Maybe he will grow up to be President one day. I think he would prefer to be a rock star, though.

After that, Robbie, Virgis and I spoke about the Riga problem. It seemed that the usual ground support they installed for concerts was not there, the promoter had opted for a smaller, cheaper ground support system. They said that I would have to reduce the amount of lights. I wasn't happy about this, but I said that I would do my best. Then they backpedaled and said that if we were against downsizing the lighting rig, they would go ahead and put in the bigger system. We opted for that.

After load out, we got on the bus and headed for Riga. Robbie got a call from Riga stating that they couldn't get the larger ground support system in, so we had now choice but to use the smaller one. I started redesigning the plot in my head.

It was a 4-hour trip to Riga, the roads were okay in the beginning, but then got bad as we approached the city. I managed a couple of hours sleep on the bus, we arrived into Riga at about 4:30 AM, we got our keys, Robbie said he would call when the lights were arriving at the venue. I went to my room, crawled in my bed at 5 and went to sleep.




DAY 41- Wednesday, November 6, 2002

SHOW IN RIGA, LATVIA


I woke up around 9, and then lay there, dozing on and off. Robbie called at 10 AM and said that the gear would be at the venue around 11, and that's when we were leaving. I turned the television on and tried to find out the election results for the US, but all that was on CNN at the time was the business news. I crawled out of bed and into the shower.

I actually felt good, and was looking forward to getting to the venue and redesigning the lights. I had come up with several ideas, and was excited about the challenge. Little did I know how challenging today was going to be.

I was downstairs at 11, I missed breakfast, but I needed the sleep more anyway.

I saw Virgis, he looked very unhappy. I asked him what was wrong. He said that there was NO ground support at the venue. I didn't understand. He said that the smaller ground support system had been canceled by the fire marshal. AS he was explaining, Robbie arrived. He told Robbie and Robbie about had a fit.

We got into the van and headed to the gig. Virgis explained that the company that was supposes to supply the smaller ground support system failed to get a permit for it. He said that there were some places to hang from in the ceiling, but we wouldn't know for sure until we got there and could physically see it and make a decision.

We pulled up in front of this tiny building. Robbie quipped, "No wonder there's ground support here, look how small it is." Incredulous, I said to Virgis, "This isn't the gig, is it?!" He looked at the building, laughed and said, "Of course not!" But then, a guy came out and motioned us in- Virgis' jaw dropped. Robbie's jaw dropped. I think mine did, as well. We got out and walked in.

It was a small sports hall, and looking up into the ceiling, I realized that there was no way indeed to hang anything from the roof. There were several small steel cables going through small pulleys to a place behind the stage where they have to physically crank them up. Looking at the state of these hanging points, I realized there was no way I could sign off on such a dangerous looking rigging system.

We were asked what we thought, I decided that I wanted some coffee. We were introduced to a woman name Irena, who was the head of catering. She spoke Latvian and Italian, but little English. Here I was, in Latvia speaking Italian to some Latvian woman. Very strange. She was very nice and helpful, and she was wearing these flared polyester pants, with fishnet stockings underneath. I liked the fishnets. She was actually very funny, with the Italian/Latvian accent.

We were told that there was no way that we could get ground support constructed. So, I started to think of other things. I mean, at this point, we had every right to cancel, as the conditions of the rider had not been met, however, it is difficult just to cancel a show, as the fans would certainly blame it on the band, and it would affect our ability to come back here again in the future. We also had the right to postpone it, however, nobody wanted to extend this little jaunt to go any later than it is already. So, it was in everybody's best interest to make things work. I thought about standing 12 trusses on end around the perimeter of the stage, hanging a couple of lamp bars on each, a moving light and an audience Molephay. I decided to hold my ideas until the promoter came up with some alternatives.

Well, the alternatives were a joke. The first wonderful idea was to use 6 fork lifts, 3 on either side of the stage, lifting 3 trusses about 20 feet high. My first reaction to this idea was laughter. I felt bad, but I pointed out to them the fact that the hydraulic fluid could leak and the forks could slowly retract and create an extremely dangerous situation, not to mention the sheer danger of something that heavy sitting on the forks (one made here as well) could create.

Several ideas were thought of, none of which were feasible. Suddenly, the lighting crew was told to go to the truck. They started unloading; I thought they had some cunning plan to save the show. Robbie and I went into the Production Office to await their decision. In the meantime, Robbie had been in close contact with Fieldmarshall Gehrke, keeping him informed as to what was happening here. If this show was to be canceled, it would have to be with the agreement of the band, as I said before, there are serious repercussions if the show were to be canceled.

They even spelled Klaus Meine's name wrong on his dressing room door. And the drum riser was too small.

My lighting crew chief, Peter, came to me and said that he wanted to say goodbye. I asked what he meant, why goodbye? He said that he was being "forwarded" and had to leave. I said, "Do you mean 'Fired?'" He said no, forwarded, his company was leaving and he had to go. All of the sudden, things started to make sense. His company was originally supposed to supply the larger ground support system. But since the promoter wanted to save money, they decided to go with another company's smaller ground support system. This created a rift between the two companies, and to make a point, the other company pulled out. To make a long story short, I was suddenly left without my main crewmember. Now, that was the least of my worries. I went to the truck to see if they could put a 10-foot truss section on the stage so I could see if it was feasible to do my idea of standing truss on their ends. Well, it was at this point that I was told there was no truss; there were no conventional lights, as they belonged to the other lighting company who had just pulled out. I was in shock. I went to Robbie and filled him in. He was in shock. Suddenly, I not only didn't have a way to hang my lights, I had no lights.

They promised that there was another lighting company in town, and could I get by with 72 Par cans. I said that I simply had no choice; I would be able to use 72 Pars. They said that they would come, and their idea was to build a tower on either side of the stage using scaffolding. I said that I would reserve judgment until I saw this structure.

They started building this haphazard structure and I seriously had my doubts. Even though I am only the lighting director, I still feel that it is my responsibility to maintain a certain safety factor. I am by no means a structural engineer, but I have seen enough scaffolding to know what I feel is safe and what isn't. Robbie agreed and said that he would not let the band and crew work under a structure, which he felt, was unsafe. I mean, there is always the specter that someone could get seriously injured or even killed if something collapsed, not to mention lawsuits and so on. I could not okay some structure just so we could have a show.

They continued building these towers, I checked on their progress every so often. In the meantime, we had lunch/dinner. This was actually the highpoint of the day, the food was phenomenal. Black caviar, lobster and celery soup and grilled tiger shrimp. It helped forget about the problems that we were having in the arena.

After dinner, I went out to the stage again, and they had started building the trusses on the stage, The only thing was that no one had bothered measuring the distance between the tower before they built them, so, given the length of the truss section, the total truss would either be 6 feet too long or 9 feet too short. This in turn, caused a problem, as the trusses would not be able to go up if they were too long, and if they were too short, the amount of pressure put on the towers would cause them to collapse on the stage. Excuse the long story here, but this situation seemed to just get worse! Finally, after discussion between Robbie, Peter and myself, we decided to put two trusses on the up and downstage sides if the stage, so there would be nothing hanging over the bands' heads.

The hung these trusses on the towers, and the rate the towers were bending, I was sure it would collapse, but the powers that be assured me that it was safe.

Now, you would think at this point everything would be okay, however, things went from bad to worse. It seems that the lighting crew, without the guidance of Peter, the original crew chief, were clueless in getting the system together. The rig was gelled wrong, colored wrong and the patching was in such a disarray that I couldn't even figure it out. It was at this point that I lost it again. I again went to the Production Office to calm down. Robbie came in and tried to calm me down, We walked back to the stage, He said that everybody on the crew was under pressure, so I pointed out the fact that everybody else on the crew had the same equipment to deal with on a daily basis, while I had a new lighting system with new problems nearly every day. I was at the mercy of how the lighting system was working, or in this case, not working.

Finally, without focusing, I headed to the console in the front of house, and told Robbie to go when he was ready. I went out and attempted to patch my console, but it was so screwed up, that I handed it over to Vitalus, my new crew chief to sort out.

House lights went down, and the show started. Vitaljus continued to patch. There was no way I could run a show at this point, as I had no lights! I sat patiently and waited. Finally a third of the way through the show, I took over, even though I was still missing half of my lights. Thank God Lars still had his show. I mentioned to him what a disaster it would have been if I hadn't had two operators and consoles. He agreed.

The rest of the show went quite well. Once again, during Wind of Change, the crowd changed the whole tone of the show. Again, it was incredible. They changed my attitude. It was a welcome change, believe me.

House lights came up, I sat, relieved it was over. Everybody was relieved it was over. What a day. We have had too many days like this recently. The band were in good spirits, despite the day. It was good to have their support. This crew worships the ground these guys walk on. We were told that the band were having a bit of a get together for us, but at this point, we were all so beat, and by the time we loaded out and got back to the hotel, it was already after 2 AM, not to mention that we had not gotten much sleep last night. I got back my room, sat down and realized that I was not going anywhere. I nearly fell asleep in my clothes. I undressed, crawled under the covers of my bed and was asleep before my head hit the pillow.




DAY 42- Thursday, November 7, 2002

DAY OFF IN RIGA, LATVIA


I awoke at 9:30. Still tired, but there goes my mind again. I lay in bed for another 30 minutes. I got out of bed, and went downstairs for breakfast.

I ran into Achim heading back to his room, but Andreas was sting down for breakfast, and Ingo joined us shortly thereafter.

The food was good, the conversation better. We are all happy about going home soon, and really glad that yesterday was over with. We ate, talked and headed back to our rooms. I stayed in my room nearly all day, working on this diary and catching up on emails. We have to send our luggage ahead again, so I packed, leaving out what I would need in the morning. This is getting to be a real pain.

Robbie called at 2 and said that they were all going for lunch. He hadn't called me previously to let me know about it, however, we usually go to lunch around 2 on days off anyway, but I had a late breakfast and was in the middle of writing the diary so I declined. I would wait to eat at dinner. I am getting used to this non-eating anyway.

I worked on the computer for quite a while, updating the diary, answering emails, working on the US tour lighting plot. I accomplished a lot, actually.

I showered and left the hotel around 3:30 PM. I walked across the bridge into the old town. Riga is such a beautiful city, and gets better every time I come here. They are vying to get into the European union, so they are really working hard to get the city and the services up to "European Standards." Riga is quaint and beautiful, romantic and historical, with so many great restaurants and pubs, shopping and sightseeing. The only problem I had today was the cold! It was well below freezing, in the low 20's. I walked around, bought a few things, postcards and a painting, took some photos and mainly just enjoyed the ambience.

I headed back to the hotel around 6 PM, it was already pitch black, but I could see a slivered moon rising over the river. Beautiful.

I got back to the hotel in time to bring down my luggage. I then stopped by the bar and had a couple of beers, peacefully enjoying the quiet.

I headed back to my room and turned on CNN. I relaxed for a while. I spoke to Robbie; he was with Peter working on Peter's computer. He said that we would have dinner a bit later.

I headed downstairs and had a couple of beers with Achim and Andreas. I spoke to Robbie, he said to ear whenever I wanted, so I went into the hotel restaurant. I don't normally like eating in the hotel, but I couldn't be bothered crossing the bridge into the old city, so I ate at the hotel.

The food was good, and filling. I went back to my room, wrote a bunch of postcards and hit the sack by 11 PM. I was beat!

One week to go!!




Ahead to Week 7 | Back to Week 5